{"title":"DiademTone","description":"\u003c!-- DIADEM TONE — Collection overview v1.0 --\u003e\n\u003cdiv style=\"background: #1e1e21; color: #ddd; padding: 20px 24px; border-radius: 10px; border-left: 5px solid #c9a45c; margin-bottom: 24px;\"\u003e\n\u003cp style=\"margin: 0 0 6px; color: #e3c27d; font-weight: bold; font-size: 18px;\"\u003eDiadem Tone · Hand-Built Analog Studio Hardware\u003c\/p\u003e\n\u003cp style=\"margin: 0;\"\u003eEvery Diadem Tone unit is hand-assembled one at a time using carefully selected components, and is individually quality checked before it leaves the factory. That's why Diadem Tone backs every product with a \u003cstrong style=\"color: #fff;\"\u003e3-year warranty\u003c\/strong\u003e.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003eDiadem Tone was founded in 2024 by a group of audio enthusiasts with one goal: to build well-made, professional analog studio gear that more musicians and engineers can own. Launched by Hotone, the brand's development is led by a former recording engineer who has spent years repairing and building analog equipment.\u003c\/p\u003e\n\u003cp\u003eThe range brings the classic sounds of the most celebrated studio outboard into modern studios, alongside original designs. Every product uses a \u003cstrong\u003efully analog signal path\u003c\/strong\u003e, with no digital processing.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDT-76\u003c\/strong\u003e – FET limiting amplifier in the classic 1176 tradition\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDT-2A\u003c\/strong\u003e – optical valve compressor based on the classic 2A design\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDT-4KC\u003c\/strong\u003e – VCA buss compressor recreating the classic British console buss section\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDT-12\u003c\/strong\u003e – transformer-coupled, fully discrete 500-series mic preamp\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTR-1\u003c\/strong\u003e – passive, transformer-isolated reamp box\u003c\/li\u003e\n\u003cli\u003eand more\u003c\/li\u003e\n\u003c\/ul\u003e","products":[{"product_id":"diademtone-dt-76-1176-style-discrete-fet-limiter","title":"DiademTone DT-76 - 1176 Style Discrete FET Limiter","description":"\u003c!-- DIADEM TONE — DT-76 — Shopify description v1.2 --\u003e\n\u003cdiv style=\"background: #1e1e21; color: #ddd; padding: 20px 24px; border-radius: 10px; border-left: 5px solid #c9a45c; margin-bottom: 30px;\"\u003e\n\u003cp style=\"margin: 0 0 6px; color: #e3c27d; font-weight: bold; font-size: 18px;\"\u003eHand-Assembled · 3-Year Warranty\u003c\/p\u003e\n\u003cp style=\"margin: 0;\"\u003eEvery Diadem Tone unit is hand-assembled one at a time using carefully selected components, and is individually quality checked before it leaves the factory. That's why Diadem Tone backs every product with a \u003cstrong style=\"color: #fff;\"\u003e3-year warranty\u003c\/strong\u003e.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch2\u003eDiadem Tone DT-76 FET Limiting Amplifier\u003c\/h2\u003e\n\u003cp\u003eSince 1967, the 1176 has been heard on countless records, prized for its lightning-fast response and unmistakable harmonic character. The \u003cstrong\u003eDT-76\u003c\/strong\u003e is Diadem Tone's recreation of that original circuit design. It is built around the same iconic FET compression architecture to capture its millisecond-fast dynamic response and rich harmonic colour.\u003c\/p\u003e\n\u003cp\u003eEach unit is hand-soldered, assembled and calibrated by Diadem Tone's senior engineers, using vintage-spec components for character and modern parts for reliability. The result is a single-channel, 2U, fully analog FET limiter for your rack.\u003c\/p\u003e\n\u003ch3\u003eWhat the DT-76 Recreates\u003c\/h3\u003e\n\u003cp\u003eThe original 1176 was released in 1967. It was one of the first compressors to use a field-effect transistor (FET) instead of a valve to control gain. That made it dramatically faster than the valve and optical compressors of its day. Its attack can grab a transient in as little as 20 microseconds, fast enough to catch the front of a snare hit or a sharp vocal consonant.\u003c\/p\u003e\n\u003ch3\u003eWhy Engineers Still Reach for It\u003c\/h3\u003e\n\u003cp\u003eNearly six decades on, the 1176 remains one of the most widely used compressors in recording studios. It controls dynamics, but it also adds attitude. The circuit imparts a subtle harmonic colour, and pushing the Input harder makes the sound more forward, denser and more exciting. It can be transparent enough to quietly tame peaks, or it can be driven into obvious, musical distortion.\u003c\/p\u003e\n\u003ch3\u003eWhat to Use It On\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eVocals\u003c\/strong\u003e – fast, firm control that keeps a lead vocal upfront. It's often paired with an optical compressor such as the DT-2A: the FET catches the peaks, and the opto smooths the overall level.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDrums\u003c\/strong\u003e – adds punch to kick and snare. Use “All Buttons In” on room mics or a parallel drum bus for an explosive, pumping sound.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBass\u003c\/strong\u003e – evens out note-to-note level so the low end sits solid in the mix.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGuitars\u003c\/strong\u003e – adds sustain and bite, and keeps strummed parts even.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTracking\u003c\/strong\u003e – lets you commit to a tone and catch peaks before they reach your converters.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAn 1176-style FET compressor is one of the most common first choices for outboard compression, because it covers so much ground: vocals, drums, bass and guitars, from gentle control to heavy colour. Plugins can model it, but the DT-76 is a real analog circuit, with actual FET gain reduction and a hardware output stage. It also gives you hands-on control while you track and mix.\u003c\/p\u003e\n\u003ch3\u003eFront Panel\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput\u003c\/strong\u003e – sets the drive, and with it the amount of compression\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput\u003c\/strong\u003e – sets the final output level\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAttack\u003c\/strong\u003e – 20 µs to 800 µs, with an OFF position\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRelease\u003c\/strong\u003e – 50 ms to 1100 ms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRatio\u003c\/strong\u003e – 4:1, 8:1, 12:1 and 20:1, plus “All Buttons In”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMeter\u003c\/strong\u003e – VU meter switchable between GR, +8, +4 and OFF\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable style=\"width: 100%; border-collapse: collapse;\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"border-bottom: 1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding: 8px 0;\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSingle-channel FET limiting amplifier\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom: 1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding: 8px 0;\"\u003e\u003cstrong\u003eAttack\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e20 µs to 800 µs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom: 1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding: 8px 0;\"\u003e\u003cstrong\u003eRelease\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e50 ms to 1100 ms (1.1 s)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom: 1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding: 8px 0;\"\u003e\u003cstrong\u003eRatios\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4:1, 8:1, 12:1, 20:1, All Buttons In\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom: 1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding: 8px 0;\"\u003e\u003cstrong\u003eGain\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e50 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom: 1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding: 8px 0;\"\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e±1 dB, 20 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom: 1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding: 8px 0;\"\u003e\u003cstrong\u003eSignal-to-Noise\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e\u0026gt; 81 dB (input at threshold of limiting, 30 Hz to 18 kHz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom: 1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding: 8px 0;\"\u003e\u003cstrong\u003eInput Impedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e600 Ω, bridged-T control (floating)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom: 1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding: 8px 0;\"\u003e\u003cstrong\u003eOutput Load Impedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e600 Ω, floating, damping factor 20\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom: 1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding: 8px 0;\"\u003e\u003cstrong\u003eConnections\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eXLR\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom: 1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding: 8px 0;\"\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e230 V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom: 1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding: 8px 0;\"\u003e\u003cstrong\u003eSize\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e19″ rackmount, 2U\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom: 1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding: 8px 0;\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4.6 kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding: 8px 0;\"\u003e\u003cstrong\u003eWarranty\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e3 years\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp style=\"font-size: 12px; color: #888;\"\u003e1176 is a trademark of its respective owner and is referenced for descriptive purposes only.\u003c\/p\u003e","brand":"DiademTone","offers":[{"title":"Default Title","offer_id":50722866200610,"sku":"DT-76","price":1399.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0808\/1653\/7634\/files\/ABUIABAEGAAg-OyOyQYooPbehAcwiho4shE.png?v=1790582480"},{"product_id":"diademtone-tr-1-reamp-box","title":"DiademTone TR-1 - Reamp Box","description":"\u003c!-- DIADEM TONE — TR-1 — Shopify description v1.0 --\u003e\n\n\u003cdiv style=\"background:#1e1e21;color:#ddd;padding:20px 24px;border-radius:10px;border-left:5px solid #c9a45c;margin-bottom:30px;\"\u003e\n\u003cp style=\"margin:0 0 6px;color:#e3c27d;font-weight:700;font-size:18px;\"\u003eHand-Assembled · 3-Year Warranty\u003c\/p\u003e\n\u003cp style=\"margin:0;\"\u003eEvery Diadem Tone unit is hand-assembled one at a time using carefully selected components, and is individually quality checked before it leaves the factory. That's why Diadem Tone backs every product with a \u003cstrong style=\"color:#fff;\"\u003e3-year warranty\u003c\/strong\u003e.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eDiadem Tone TR-1 Tone Regen Box\u003c\/h2\u003e\n\n\u003cp\u003eRecorded a great performance but not happy with the guitar or bass tone? The \u003cstrong\u003eTR-1 Tone Regen Box\u003c\/strong\u003e lets you fix it after the fact. It takes a track from your DAW and sends it back out to a real amplifier or effects chain, so you can re-record it with a new sound. The performance stays the same, and the tone gets a second life.\u003c\/p\u003e\n\n\u003cp\u003eThe TR-1 is a fully passive, transformer-isolated reamp box. It is hand-assembled with audiophile-grade components and uses custom-designed, carefully calibrated transformers for accurate, authentic tone reproduction.\u003c\/p\u003e\n\n\u003ch3\u003eWhat Is Reamping?\u003c\/h3\u003e\n\u003cp\u003eReamping means sending an already-recorded signal back through a guitar amplifier or effects so it can be re-recorded. It's usually done with a clean DI guitar or bass track. The catch is that an audio interface puts out a balanced, line-level, low-impedance signal, while a guitar amp expects an unbalanced, instrument-level, high-impedance signal like the one coming straight from a guitar. A reamp box bridges that gap, so the amp responds as if the instrument were plugged straight in.\u003c\/p\u003e\n\n\u003ch3\u003eWhy Engineers Use It\u003c\/h3\u003e\n\u003cp\u003eReamping separates the performance from the tone. You can track a clean DI signal, then decide on amps, pedals and mic placement later in the mix, with the finished song around it. The TR-1 is designed so the signal arrives at the amp as naturally as possible:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFully passive design\u003c\/strong\u003e – needs no power supply\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTransformer isolation\u003c\/strong\u003e – for highly authentic tone reproduction, and it electrically separates your interface from your amp\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBalanced attenuation before the transformer\u003c\/strong\u003e – preserves the full dynamic range of your recording\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput-side tone control\u003c\/strong\u003e – to fine-tune the sound going into the amp\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat to Use It On\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eGuitar and bass\u003c\/strong\u003e – re-record DI tracks through any amplifier during mixing when the original tone needs improving.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCreative effects\u003c\/strong\u003e – send any track (synths, drums, vocals) through external pedals or processors for creative tone shaping, then record it back into your project.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLive performance\u003c\/strong\u003e – route pre-recorded program material into the unbalanced input of an instrument amplifier.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSooner or later, anyone recording guitar or bass ends up with a great take and the wrong tone. With the TR-1 in your setup, that's an easy fix instead of a re-tracking session. It also opens up your amps and pedals as creative processors for any source in your mix.\u003c\/p\u003e\n\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFully passive re-amp design with transformer isolation\u003c\/li\u003e\n\u003cli\u003eCustom-designed, carefully calibrated transformers\u003c\/li\u003e\n\u003cli\u003ePre-transformer balanced attenuation preserves full dynamic range\u003c\/li\u003e\n\u003cli\u003eOutput-side tone control\u003c\/li\u003e\n\u003cli\u003eRobust unibody chassis with a protective knob design\u003c\/li\u003e\n\u003cli\u003eHand-assembled with audiophile-grade components\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable style=\"width:100%;border-collapse:collapse;\"\u003e\n\u003ctr style=\"border-bottom:1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding:8px 0;\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eTransformer-isolated passive re-amp box\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding:8px 0;\"\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNone required (passive)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding:8px 0;\"\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eTone (output side)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding:8px 0;\"\u003e\u003cstrong\u003eChassis\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUnibody with protective knob design\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:8px 0;\"\u003e\u003cstrong\u003eWarranty\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e3 years\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"DiademTone","offers":[{"title":"Default Title","offer_id":50723482828834,"sku":"DT-TR1","price":199.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0808\/1653\/7634\/files\/DiedemToneTR1ReampBox4.jpg?v=1790583096"},{"product_id":"diademtone-dt-2a-la-2a-style-opto-comp","title":"DiademTone DT-2A (LA-2A Style Opto Comp)","description":"\u003c!-- DIADEM TONE — DT-2A — Shopify description v1.0 --\u003e\n\u003cdiv style=\"background: #1e1e21; color: #ddd; padding: 20px 24px; border-radius: 10px; border-left: 5px solid #c9a45c; margin-bottom: 30px;\"\u003e\n\u003cp style=\"margin: 0 0 6px; color: #e3c27d; font-weight: bold; font-size: 18px;\"\u003eHand-Assembled · 3-Year Warranty\u003c\/p\u003e\n\u003cp style=\"margin: 0;\"\u003eEvery Diadem Tone unit is hand-assembled one at a time using carefully selected components, and is individually quality checked before it leaves the factory. That's why Diadem Tone backs every product with a \u003cstrong style=\"color: #fff;\"\u003e3-year warranty\u003c\/strong\u003e.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch2\u003eDiadem Tone DT-2A Optical Tube Compressor\u003c\/h2\u003e\n\u003cp\u003eSome compressors grab. The \u003cstrong\u003eDT-2A\u003c\/strong\u003e glides. It is a single-channel optical valve leveling amplifier built on the classic 2A architecture, delivering the smooth, natural gain reduction and valve warmth that have made this style of compressor a studio staple for decades.\u003c\/p\u003e\n\u003cp\u003eAt its heart is Diadem Tone's own enhanced \u003cstrong\u003eDT-T4 optical cell\u003c\/strong\u003e, designed for extended high-frequency response and exceptionally smooth compression. Four valves carry the signal: two 12AX7s for gain and harmonic texture, a 12BH7 for robust, low-distortion drive, and a 6AQ5 that adds thickness and warmth at the output. Careful circuit design and component selection give it a noise floor of -90 dB, so it stays clean even at high gain.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0808\/1653\/7634\/files\/DT4Cell.jpg?v=1790583447\" alt=\"\" style=\"font-size: 0.875rem;\"\u003e\u003c\/p\u003e\n\u003ch3\u003eWhat the DT-2A Recreates\u003c\/h3\u003e\n\u003cp\u003eThe LA-2A leveling amplifier appeared in the early 1960s and is one of the most recognisable compressors ever made. Rather than a transistor, it uses an optical cell: a light source and a light-sensitive resistor inside a sealed module. As the signal gets louder, the light glows brighter and the resistor turns the level down. That optical process reacts in a naturally smooth, program-dependent way. It has a fixed 10 ms attack and a two-stage release, recovering the first half of its gain reduction in about 60 ms and the rest over 0.5 to 5 seconds, depending on what you feed it.\u003c\/p\u003e\n\u003ch3\u003eWhy Engineers Still Reach for It\u003c\/h3\u003e\n\u003cp\u003eThe 2A is loved because it is both musical and simple. There are really only two knobs: Peak Reduction sets how much it compresses, and Gain sets the output. Yet the results sound polished almost instantly. The optical cell never clamps down harshly. It gently levels a performance so it sits consistently in the mix, while the valve stages add a warmth and density that make sources sound finished.\u003c\/p\u003e\n\u003ch3\u003eWhat to Use It On\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eVocals\u003c\/strong\u003e – its signature application. Smooth, transparent leveling that keeps a vocal present without sounding squashed. For the classic combination, follow a DT-76: the FET catches the fast peaks, and the DT-2A evens out the overall level.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBass\u003c\/strong\u003e – holds bass guitar and synth bass steady and full, with valve weight in the low end.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAcoustic instruments\u003c\/strong\u003e – acoustic guitar, piano and strings get gentle control that preserves their natural dynamics.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBuses and stems\u003c\/strong\u003e – light gain reduction on a vocal or instrument group glues parts together without obvious pumping.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTracking\u003c\/strong\u003e – its forgiving response makes it a safe, great-sounding choice to record through.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eA fast FET compressor and a smooth optical compressor are two of the most useful tools any studio can own, and each does what the other can't. The DT-2A brings genuine optical compression and a four-valve signal path to your rack, with the hands-on simplicity that lets you set it by ear and get back to the music.\u003c\/p\u003e\n\u003ch3\u003eFront Panel\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eGain\u003c\/strong\u003e – sets the output level\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePeak Reduction\u003c\/strong\u003e – sets the amount of compression\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompress \/ Limit switch\u003c\/strong\u003e – selects compression or limiting mode\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eR37\u003c\/strong\u003e – trim adjustment\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMeter\u003c\/strong\u003e – VU meter switchable between Gain Reduction, Output +10 and Output +4\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower\u003c\/strong\u003e switch\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable style=\"width: 100%; border-collapse: collapse;\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"border-bottom: 1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding: 8px 0;\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSingle-channel optical valve compressor\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom: 1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding: 8px 0;\"\u003e\u003cstrong\u003eOptical Cell\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDiadem Tone enhanced DT-T4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom: 1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding: 8px 0;\"\u003e\u003cstrong\u003eValves\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2 × 12AX7, 1 × 12BH7, 1 × 6AQ5\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom: 1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding: 8px 0;\"\u003e\u003cstrong\u003eAttack Time\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e10 ms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom: 1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding: 8px 0;\"\u003e\u003cstrong\u003eRelease Time\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.06 s for 50% release; 0.5 to 5 s for complete release\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom: 1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding: 8px 0;\"\u003e\u003cstrong\u003eGain\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e40 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom: 1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding: 8px 0;\"\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e15 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom: 1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding: 8px 0;\"\u003e\u003cstrong\u003eTotal Harmonic Distortion\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e\u0026lt; 0.5%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom: 1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding: 8px 0;\"\u003e\u003cstrong\u003eNoise Floor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e-90 dB ±5\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom: 1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding: 8px 0;\"\u003e\u003cstrong\u003eInput Level\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e+16 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom: 1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding: 8px 0;\"\u003e\u003cstrong\u003eOutput Level\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e+10 dB nominal, +16 dB maximum\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom: 1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding: 8px 0;\"\u003e\u003cstrong\u003eInput Impedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e600 Ω (balanced)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom: 1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding: 8px 0;\"\u003e\u003cstrong\u003eOutput Load Impedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e600 Ω (balanced)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom: 1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding: 8px 0;\"\u003e\u003cstrong\u003eConnections\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eXLR\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom: 1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding: 8px 0;\"\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e115 \/ 230 VAC, 50–60 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom: 1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding: 8px 0;\"\u003e\u003cstrong\u003eSize\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e19″ rackmount, 3U\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom: 1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding: 8px 0;\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e5.5 kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding: 8px 0;\"\u003e\u003cstrong\u003eWarranty\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e3 years\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp style=\"font-size: 12px; color: #888;\"\u003eLA-2A is a trademark of its respective owner and is referenced for descriptive purposes only.\u003c\/p\u003e","brand":"DiademTone","offers":[{"title":"Default Title","offer_id":50724230299682,"sku":"DT-2A","price":1399.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0808\/1653\/7634\/files\/DiademToneDT2ALA2AClone4.jpg?v=1790583375"},{"product_id":"diademtone-dt12-toxic-500-series-mic-pre","title":"DiademTone DT12 \"Toxic\" 500 Series Mic Pre","description":"\u003c!-- DIADEM TONE — DT-12 — Shopify description v1.0 --\u003e\n\u003cdiv style=\"background: #1e1e21; color: #ddd; padding: 20px 24px; border-radius: 10px; border-left: 5px solid #c9a45c; margin-bottom: 30px;\"\u003e\n\u003cp style=\"margin: 0 0 6px; color: #e3c27d; font-weight: bold; font-size: 18px;\"\u003eHand-Assembled · 3-Year Warranty\u003c\/p\u003e\n\u003cp style=\"margin: 0;\"\u003eEvery Diadem Tone unit is hand-assembled one at a time using carefully selected components, and is individually quality checked before it leaves the factory. That's why Diadem Tone backs every product with a \u003cstrong style=\"color: #fff;\"\u003e3-year warranty\u003c\/strong\u003e.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch2\u003eDiadem Tone DT-12 500 Series Mic Preamp\u003c\/h2\u003e\n\u003cp\u003eThe mic preamp is the first thing your signal meets, and it shapes everything that follows. The \u003cstrong\u003eDT-12\u003c\/strong\u003e is a single-channel 500-series microphone preamp built the old-school way. It has transformers on both input and output, and a fully discrete amplifier with hand-matched transistors. Diadem Tone describes it as a classic circuit with modern improvements, designed for a musical, characterful tone.\u003c\/p\u003e\n\u003cp\u003eA specially engineered input transformer sits at the front of the circuit, followed by discrete transistor gain stages and an output transformer. There are no integrated-circuit op-amps in the gain path. It's the same design approach used in classic recording console preamps, in a compact module you can slot into any standard 500-series rack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePush it\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMany budget preamps use integrated-circuit op-amps and no transformers. They can measure cleanly but often lack character. A transformer-coupled, discrete design behaves differently. The transformers add weight and a subtle, pleasing saturation, and the discrete transistor stages add depth and punch. Push the gain harder and the DT-12 adds more colour. Keep it moderate and it stays solid and clear. This is the character that made classic console preamps the sound of so many records.\u003c\/p\u003e\n\u003ch3\u003eWhy the 500-Series Format\u003c\/h3\u003e\n\u003cp\u003eThe 500-series format lets you build a rack of modules to suit how you work. Mix and match preamps, EQs and compressors from different makers in one chassis. Start with one DT-12, then add more as your recording grows. A rack of several DT-12s gives you matched, transformer-coloured channels for tracking a full drum kit or band.\u003c\/p\u003e\n\u003ch3\u003eWhat to Use It On\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eVocals\u003c\/strong\u003e – a full, forward vocal sound with transformer weight, using condenser or dynamic mics.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDrums\u003c\/strong\u003e – punchy kick, snare and toms, with transformer saturation for extra impact when driven.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGuitar cabinets\u003c\/strong\u003e – solid, midrange-rich guitar tones that sit easily in a mix.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBass, keys and synths\u003c\/strong\u003e – plug straight into the front-panel DI input and record through the same discrete, transformer-coupled path.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAcoustic instruments\u003c\/strong\u003e – natural body and detail on acoustic guitar, piano and strings.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eIf you're recording through an audio interface's built-in preamps, a dedicated discrete preamp is one of the biggest upgrades you can make. The DT-12 gives your recordings the depth and character of a transformer-coupled console channel, one 500-series slot at a time.\u003c\/p\u003e\n\u003ch3\u003eFront Panel\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDI input\u003c\/strong\u003e – front-panel 1\/4″ instrument input\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDI switch\u003c\/strong\u003e – selects the instrument input\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eØ switch\u003c\/strong\u003e – polarity invert\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e48V switch\u003c\/strong\u003e – phantom power for condenser microphones\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGain\u003c\/strong\u003e – sets the preamp gain\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable style=\"width: 100%; border-collapse: collapse;\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"border-bottom: 1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding: 8px 0;\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSingle-channel microphone preamp\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom: 1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding: 8px 0;\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e500-series module (requires a 500-series rack)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom: 1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding: 8px 0;\"\u003e\u003cstrong\u003eCircuit\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFully discrete amplifier with hand-matched transistors\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom: 1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding: 8px 0;\"\u003e\u003cstrong\u003eTransformers\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eInput and output transformers\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom: 1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding: 8px 0;\"\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMicrophone (via rack), front-panel 1\/4″ DI\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom: 1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding: 8px 0;\"\u003e\u003cstrong\u003eSwitches\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDI, polarity (Ø), +48V phantom power\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom: 1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding: 8px 0;\"\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSupplied by the 500-series rack (not included)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding: 8px 0;\"\u003e\u003cstrong\u003eWarranty\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e3 years\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"DiademTone","offers":[{"title":"Default Title","offer_id":50724964565026,"sku":"DT-12","price":599.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0808\/1653\/7634\/files\/DiademToneDT12500SeriesMicPreToxic4.jpg?v=1790583672"},{"product_id":"diademtone-dt-4kc-sold-state-buss-compressor","title":"DiademTone - DT-4KC Sold State Buss Compressor","description":"\u003c!-- DIADEM TONE — DT-4KC — Shopify description v1.0 --\u003e\n\n\u003cdiv style=\"background:#1e1e21;color:#ddd;padding:20px 24px;border-radius:10px;border-left:5px solid #c9a45c;margin-bottom:30px;\"\u003e\n\u003cp style=\"margin:0 0 6px;color:#e3c27d;font-weight:700;font-size:18px;\"\u003eHand-Assembled · 3-Year Warranty\u003c\/p\u003e\n\u003cp style=\"margin:0;\"\u003eEvery Diadem Tone unit is hand-assembled one at a time using carefully selected components, and is individually quality checked before it leaves the factory. That's why Diadem Tone backs every product with a \u003cstrong style=\"color:#fff;\"\u003e3-year warranty\u003c\/strong\u003e.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eDiadem Tone DT-4KC Solid-State Buss Compressor\u003c\/h2\u003e\n\n\u003cp\u003eThere's a reason finished mixes from the big British console era sound so cohesive, punchy and polished: the bus compressor built into the console. The \u003cstrong\u003eDT-4KC\u003c\/strong\u003e recreates the circuit design of that classic British console buss section in a 1U rackmount unit, so you can put that famous “glue” across your own mix.\u003c\/p\u003e\n\n\u003cp\u003eAt its core is Diadem Tone's own \u003cstrong\u003eDT-202\u003c\/strong\u003e, an improved version of the classic 202C VCA module. The DT-202 modules are hand-paired and designed to push past the original's performance, with lower noise and more precise gain control. Diadem Tone has also optimised the surrounding circuit for better signal-to-noise ratio and transient response, giving the DT-4KC over 120 dB of dynamic range and more than +27 dBu of headroom.\u003c\/p\u003e\n\n\u003ch3\u003eWhat the DT-4KC Recreates\u003c\/h3\u003e\n\u003cp\u003eFrom the late 1970s onwards, large-format British consoles became a fixture in major studios, and a huge number of hit records were mixed on them. Built into the centre section of these consoles was a VCA bus compressor that engineers ran across the whole stereo mix. Where a single-track compressor controls one instrument, a bus compressor works on everything together. Its fast, precise VCA gain control made the whole mix move as one.\u003c\/p\u003e\n\n\u003ch3\u003eWhy Engineers Still Reach for It\u003c\/h3\u003e\n\u003cp\u003eThat “glue” is hard to describe but easy to hear. With just a few dB of gain reduction, the elements of a mix lock together. Drums and bass tighten up, the mix gains punch and density, and everything feels more finished and “record-ready”. It's one of the most widely used compression styles in modern mixing, and many engineers mix into one from the very start of a session.\u003c\/p\u003e\n\n\u003ch3\u003eWhat to Use It On\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMix bus\u003c\/strong\u003e – its signature job. Gentle compression across the full mix for cohesion, punch and polish.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDrum bus\u003c\/strong\u003e – pulls a multi-mic drum kit together and adds snap and energy.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eParallel compression\u003c\/strong\u003e – compress a bus harder and blend it underneath the dry signal for density without losing dynamics.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStems and subgroups\u003c\/strong\u003e – glue backing vocals, guitars, keys or string sections into a single, cohesive part.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eA bus compressor is the finishing tool in a mixing rack. It works on the whole picture rather than individual tracks, so it touches every song you mix. With its low-noise, hand-paired VCAs and generous headroom, the DT-4KC is built to sit on your mix bus full-time.\u003c\/p\u003e\n\n\u003ch3\u003eFront Panel\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eThreshold\u003c\/strong\u003e – sets the level at which compression begins\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAttack\u003c\/strong\u003e – sets how quickly compression engages\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRatio\u003c\/strong\u003e – sets the amount of compression\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRelease\u003c\/strong\u003e – sets how quickly compression recovers\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMake-Up\u003c\/strong\u003e – restores output level after compression\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompressor\u003c\/strong\u003e – in\/out switch\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMeter\u003c\/strong\u003e – gain reduction meter\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower\u003c\/strong\u003e switch\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable style=\"width:100%;border-collapse:collapse;\"\u003e\n\u003ctr style=\"border-bottom:1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding:8px 0;\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSolid-state VCA buss compressor\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding:8px 0;\"\u003e\u003cstrong\u003eVCA\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHand-paired Diadem Tone DT-202 (improved 202C)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding:8px 0;\"\u003e\u003cstrong\u003eNoise\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e\u0026lt; -90 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding:8px 0;\"\u003e\u003cstrong\u003eHeadroom\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e\u0026gt; +27 dBu (20 Hz to 20 kHz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding:8px 0;\"\u003e\u003cstrong\u003eDynamic Range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e\u0026gt; 120 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding:8px 0;\"\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e20 Hz to 22 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding:8px 0;\"\u003e\u003cstrong\u003eTHD+Noise\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e\u0026lt; 0.05% (20 Hz to 20 kHz, +20 dBu input)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding:8px 0;\"\u003e\u003cstrong\u003eInput Impedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e10 kΩ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding:8px 0;\"\u003e\u003cstrong\u003eOutput Impedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e50 Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding:8px 0;\"\u003e\u003cstrong\u003eMax Input Level\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e24 dBu (operating level modes 0 dB \/ -5 dB, 1% THD)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding:8px 0;\"\u003e\u003cstrong\u003eMax Output Level\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e24 dBu (operating level modes 0 dB \/ -5 dB, 1% THD)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding:8px 0;\"\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e115 \/ 230 V, 50–60 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding:8px 0;\"\u003e\u003cstrong\u003eSize\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e19″ rackmount, 1U\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e2e2e2;\"\u003e\n\u003ctd style=\"padding:8px 0;\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2.55 kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:8px 0;\"\u003e\u003cstrong\u003eWarranty\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e3 years\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"DiademTone","offers":[{"title":"Default Title","offer_id":50725484920866,"sku":"DT-4KC","price":1199.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0808\/1653\/7634\/files\/DiademToneDT4KCBussCompressorSolidStateRackComp1.jpg?v=1790584056"}],"url":"https:\/\/globalmusicimports.com.au\/collections\/diademtone.oembed","provider":"Global Music Imports - Australia","version":"1.0","type":"link"}